Frye II

Emory Library Balcony at Dusk

It’s been quite a week.

We’re on break now; classes resume Monday morning. Some of us have gone home, some have had their families join them here, some are staying through the weekend and doing work or sightseeing or combinations of both. If it doesn’t get rained out, I’m going to a Braves game this afternoon with some Frye folk. This morning I hope to get some more work done on a podcasting article I’m writing.

The break allows me to begin to take stock of what I’ve learned, whom I’ve met, and the new horizons that are becoming visible. The break is also a free-form serendipity field. This morning’s breakfast, for example: I went to the dining room with an article to read, not expecting to find anyone there from Frye, or at least not the critical mass that instantly forms after each session as we proceed from a mind-bending class to refresh ourselves at the buffet. But then serendipity struck. A small group of seminarians formed quite casually. The talk began. By the time it ended about two hours later, we had covered Plato, AI, the Book of Kells, kennings, Gothic, the military and war-gaming, organizational experiences, the uses of analogy in education and understanding generally, Alice in Wonderland and Through the Looking-Glass, video art, manuscripts of silver ink on purple parchment, spell-checkers across variants of English usage (specifically Australian and U.S.) and the subtly enforced convergences of orthography that can result, tablet computers, Bonnie Raitt, Fredo Viola, schools of education, mind-mapping, haptic and ergonomic considerations in hardware, software, and fountain pens, gluggy rissoto, note-taking in journals, mind-mapping both free-form and software-enabled, settling in one spot vs. moving around, conceding vs. considering, microcues in film directors and in contextual learning generally, Stanley Kubrick, the Zone of Proximal Development, IT Conversations, prisoner dilemmas, the way medieval monks would describe good light by saying one could see to crack lice even at midnight, first contact stories, human beings considered as a species, cats and curiosity, cats that are more like dogs than cats (including a Burmese that would play fetch), leaded glass eggs and the trouble they cause going through airport security, rearranging furniture, tolerant spouses, karaoke, low-tech tech, OS X, and I’m positive I’ve left a great deal out.

All that and a Belgian waffle too. A good morning and a fine example of what Bruner calls consciousness-raising about the possibilities of communal mental activity. Part of me wishes I could record these moments more fully, in words or video or audio. Part of me understands that I myself will be the record of the moment, in the sense that these interactions are writing (or revising) parts of me into being, and in very interesting ways. I suppose I am the notes I’m taking. That’s one way to think about real school.

At the Frye Institute

Room With A ViewMy blogging (not to mention my podcasts) is likely to be irregular over the next two weeks as I attend the Frye Leadership Institute in Atlanta, Georgia. By “irregular” I mean, of course, in terms of schedule, not in terms of my famously loose editorial control, which is “regular then most, when most irregular it seems,” to crib without scruple from John Milton.

I have a wonky wireless connection in my otherwise most comfortable room, but here’s a photo anyway of the lovely oaken view from my big window. The view might elicit some chiding. I’m hoping it also elicits some inspiration.

A Donne A Day 9: "Lovers' Infiniteness"

Donne fully indulges his love of paradox in this poem. At his best, though, Donne lights on a paradox he seems to have invented, but in reality has only discovered. Listen carefully to this poem, several times, and if my reading holds up you’ll gradually become aware that a fundamental question of identity, commitment, and fidelity underlies Donne’s verbal gymnastics. This one sneaks up on you: “Lovers’ Infiniteness,” by John Donne.

Fredo Viola

Fredo Viola

I love the Internet, but only because beings from my species (go team!) are always leaving items of wonder and interest lying about.

A link from a nifty entry in Andy’s text blog led me to the amazing and very beautiful “Sad Song” video, which led me to the amazing and very beautiful website crafted by the “Sad Song” artist and musician Fredo Viola. See the video, marvel at the information on the making of the video, browse the site, admire Fredo’s list of faves: “Shostakovich, Britten, Bartok, Harry Nilsson, Stravinsky, Schnittke, BOC, Belle & Sebastian and Bach!”

Extraordinary. Thanks, Andy. Thanks, Fredo.

Learn One, Do One, Teach One

Here’s the idea. Comments are not only welcome but coveted.

The sequence of learn one, do one, teach one is well known. The process seeks to shorten the path between study, practice, and understanding, if understanding is demonstrated at least in part by the ability to master an explanation and customize it (and a demonstration) to address new learners in an unpredictable learning situation. The process also propagates learning very rapidly, as each teacher helps to build many more teachers.

I’m thinking that learn one, do one, teach one describes not only three steps in a process, or even three modes of learning, but one high-level activity in which each mode or step must be present at every other step. The activity is characterized by attention and articulation (these concepts may also be distinct but not separate). The steps are distinguished by the relative proportion of attention and articulation vectors: what things am I attending to, and in what mixture? what is the nature of my articulation, and what is my audience?

Learning involves a proportionally more intense vector of other-directed attention, but at the same time the learner’s attention must be self-directed enough to engage in an ongoing re-articulation that responds to the teacher. The learner must “follow along,” and that involves at least in part a kind of auto-hypnosis that makes the lesson appear to be created by the attending self.

Doing involves a proportionally more intense vector of self-directed attention, along with an ongoing self-directed articulation that serves as a feedback loop monitoring progress toward the goal. At the same time, the doer’s attention must be other-directed enough to make that feedback loop truly critical and useful. That is, the doer must be ruthless in his or her self-critique, making the I into an other.

Teaching involves a proportionally more intense vector of other-directed attention in which the work is narrated. This narration also bootstraps the process into metacognitive areas in which students witness the teacher engaging his or her own zone of proximal development (acting as one’s own coach) and thus can learn how to access their own ZPDs themselves. This phase involves the most dynamic cognitive apprenticeship, on the part of teacher and learner.

All of that said, each of the steps must include some measure of the other to be effective. The learner must engage in a kind of self-education and re-articulation for the experience to be active and useful instead of passive and illusory. The doer, however much flow and automaticity he or she enjoys in the work, must have a feedback loop in there somewhere, and that loop is made out of attention vectors that are not obviously part of the doing. The teacher must have elements of self-directed learning and doing that are active during the other-directed articulation and narration.

If I haven’t vexed him beyond his patience, Bakhtin is hovering here somewhere.

Wade Roush on Continuous Computing

Technology Review‘s Wade Roush has been publishing a fascinating set of blogs over the last few days: “10,000 Brainiacs: Let’s Write a Social Computing Story, Socially!” As you’ll see from some of the comments I’ve left, I’m still not convinced that transparent computing is the only paradigm we should consider or work toward. (Doug Engelbart’s vision won’t let go of me.) But the writing is spirited, the imagination fully engaged, and the conclusions at the end of part 4 are beautifully articulated, especially for someone like me who’s been wearing glasses since age 6.

And this is what’s truly new about continuous computing. As advanced as our PCs and our other information gadgets have grown, we have never really loved them. They’re like toasters and VCRs: We’ve used them all these years only because they have made us more productive. But now that’s changing. When computing devices are always with us and always helping us be the social beings we are, time spent “on the computer” no longer feels like time taken away from real life. And it isn’t: cell phones, laptops, and the Web are, in fact, becoming the best tools we have for staying connected to the people and ideas and activities that are important to us. The underlying hardware and software may never become invisible, but it will become less obtrusive, allowing us to focus our attention on the actual information being conveyed. Eventually, living in a world of continuous computing will be like wearing eyeglasses. The rims are always visible, but the wearer forgets he has them on–even though they’re the only things making the world clear.

Thanks, Wade, for your voice and your efforts here.