Readathon recovery

Satan Overlooking Paradise

Actually, it hasn’t quite happened yet. Staying up all night makes the next three days feel like jet lag to me. Maybe that’s appropriate, given the vast distances we traversed in our all-night reading of Paradise Lost.

This year was particularly satisfying. We were in the lovely and cozy Alvey House, and the readers, almost all of them students, seemed unusually committed and sparkling. There was a goodly variety of folks coming and going throughout the reading, until the wee hours. Then the six of us who stayed all night dug in deep for the last four books. Even at the end, we were reluctant to break the spell, until after several deep sighs a three-time reader cried aloud, “I can’t believe he did all that in his head!”

Nor can I.

I hope to post a more complete account at some point. For now, suffice it to say that, tired as I am, I’m ready to do it again. Here’s to next year’s journey.

Note: the image above is of my blacklight poster of Gustav Dore’s “Satan Overlooking Paradise,” one of his illustrations of Book 4 of Paradise Lost. I bought the poster many, many years ago at a head shop in Bristol, Tennessee. I was twelve years old and had a dollar in my pocket. The poster was in a dollar bin in the back room. I didn’t know the winged creature was Satan, nor did I know the source of the illustration. What’s more, I had no idea that I was purchasing a token of my destiny as a Miltonist. Even if I had known, I don’t think I would have believed it.

Paradise Lost readathon 2007

Tonight at 7:30 or so I’ll begin the 11th annual University of Mary Washington all-night Paradise Lost readathon. I’m not well-rested and my mind is not at all centered, not even a little bit, really, no, but even so underneath all the epidermis (thick as it’s ever been) I do feel a little tingle of anticipation. I know at least two former students will be there, which is an especially dear prospect this time. I hope there’s a decent turnout from the Milton seminar I’m teaching this spring. I think at least a couple of curious students will be on hand from the other courses I’m teaching this term (Film/Text/Culture, and two sections of Introduction to Literary Studies). At some point my wife and our two children will be there for a while. These things alone make the night more than worthwhile.

But this year there’s a little more, I suppose. I feel more than a bit of wonder that this year marks the thirteenth time I’ve read this work all the way through in one sitting overnight. Twenty-seven years ago, in the fall of 1980, I was enrolled in Wally Kerrigan’s graduate class in Milton at the University of Virginia. Wally had just come off a year’s leave in which he’d written his masterpiece, The Sacred Complex, and he was fully wired with the ideas that had emerged during that year’s study. Sometimes the class meetings were so charged with vision that I couldn’t bear to leave the room afterwards, and would stay and huddle with my fellow grad students in the class who were feeling the inspiration just as fully as I was. Once I even surreptitiously put a Captain Beefheart line on the board before Wally came into the room, hoping it would please him (he had a beautiful Captain Beefheart poster in his office). I thought it more creative than an apple or a bunch of flowers.

At one point about midway through the semester, just as we were starting Paradise Lost, Wally casually mentioned that the best way to read the epic the first time was to read it all in one sitting, preferably overnight. Young, childless, and eager for enlightenment, I took him up on the invitation. I found the experience overwhelming. The next day, I came to class and told Wally that the beginning of Book 9, the book in which Adam and Eve fall, had left me shaken and grieving, so splendid and loving and strange and uncanny had been the Paradise Milton had imagined. Wally replied, “you had the experience!”

That I had. (Thank you, Wally.) True to my nature, I reasoned that it didn’t have to be the only time I’d have that experience. So tonight I embark on the twelfth subsequent voyage through Hell, Heaven, and our wildly abundant universe. (I did the all-night reading with a class for the first time in San Diego in 1994.)

I blogged about the last readathon, in 2005, here. It’s the same story. But it’s worth retelling.

Daily Records

As ever, Brian Lamb not only draws the community together, but provides its most heartfelt and eloquent history. It’s a gift.

My thanks to Brian for all his encouragement and support, as well as to Jim and D’Arcy for being such cool-cat collaborators in our NMC Online Conference session today. Jim and I even had a brief intimate moment of cross-editing our presentation wiki this morning; we share some obsessions, it’s true.

Brian’s already characterized D’Arcy’s and Jim’s contributions far better than I could. He’s also pointed to the crucial contributions of the indispensable CogDog himself, Alan Levine. All I can add here is a humble and slightly awed testimonial.

When a roaring flame goes out, the room can get awfully cold all of a sudden. When the fire starts up, even fitfully, it’s a welcome moment of returning warmth. Last night, as I went through the wiki of nominations and started to think inside the material instead of about it, some of that old fire sparked up a bit. I didn’t want to go to bed. I got more ideas. For a minute or so, the last nine months melted away. Brief as it was, it was a very nice surprise. 

Brian, Jim, D’Arcy, I owe you. Thanks for the invitation. 

P.S. I’m delighted that one of my film students, Brad Efford, has already jumped in with a contribution to the wiki page. I hope he’s the first of many.

U-Turn to sincerity

Funny how writers can unlock one’s mind.

Joan Acocella’s article on Matthew Bourne (New Yorker 12 March 2007) helped me understand something about modernism, camp, and sincerity that I’d not quite understood before. Many milestones on this journey for me: John Hollander in 1978 talking about returning to “the truth of the noble remark,” ASE‘s Barbara White talking about glam-rock in 2003, and now Joan Acocella writing about a choreographer whose name and work were new to me:

In his move away from camp, Bourne was following a well-worn path. Camp was an escape route from modernism, a return to the charm and glamour that had been banned by that austere movement. The purveyors of camp had been raised on modernism, and so they treated their pretty things with irony as well as with love, but, over time, in the work of many artists–Pedro Almodovar is a good example–love won out. The left turn (irony) became a U-turn (sincerity). Macaulay, in one of his interviews with Bourne, says of Julie Andrews and “The Sound of Music” that he thinks “half the point of growing up is to outgrow her films.” “Oh, I can’t take that kind of talk,” Bourne replies. “That film’s so much a part of me.” This statement is echt camp, but it is also about three-quarters heartfelt, and it is on that ratio that the post-camp artists, including Bourne, have built their art.

Reading this, I feel the tumblers in my mind click into place, and I hear a door swing open. That’s the grim evangelism I felt in my Modern Novel class in grad school. That’s the reason camp leaves me cold, but not as cold as modernism. That’s the strength I feel in Eliot more than in other high modernists. That’s why I prefer Woolf’s essay on Thomas Browne to her essay on Modern Fiction. Ah.

Call for Nominations: EDU-VIDEO party coming your way

Goofy picture

Apologies for the silliness, but what can I add to what Jim and Brian have said already? I am not worthy. But just to make sure I catch the vanishingly few people in the blogosphere who might come to my blog before they go to Bavatuesdays or Abject Learning, let me accept some nominations here as well for the upcoming NMC online conference festivities. Allow me to quote Jim quoting Brian:

The Web 2.0 Online Learning Film Festival! My colleagues and I have designated ourselves as Festival Jurors. From what we hope will be an avalanche of nominations we intend to select a 45 minute program, adding bits of commentary, analysis, trash talk and awards. (All legitimate nominations will be included on a supplementary program.) We intend to use Mojiti (which allows for annotation of online videos) to facilitate the communication of juror and audience input. We will argue about discuss our respective choices during our NMC online presentation on Wednesday, March 21, and when the conference wraps up we’ll open up the discussion to the wider web world.

‘Nuff said, no-prizes for all, and may the force be with you. My definition of education is as wide as Brian’s, as broad as Jim’s. D’Arcy is still doing Extreme Vacationing in Hawaii, but I’m confident he’s as latitudinarian as the rest of us.

Put your nominations in the comments here. Don’t be shy. This is your chance to shape the Delta Quadrant of the eduniverse. We await your destiny.

Tools and Meta-Tools

Great stuff, as ever, over on The Fish Wrapper. This is my response to Martha’s latest post.

The computer is not only a tool but a meta-tool; I think that’s what makes it so hard at some points to “get” computers. A computer is a tool that morphs into other tools. This, I think, is what calling the computer a “universal machine” is all about. As the author of “Dreaming in Code” noted on a recent IT Conversations podcast, programming is pure imagination, nothing else. Rigorous and ordered imagination, but also weirdly arbitrary, and sometimes uncanny (this is me talking now, if there was any doubt).

Getting people to think of computers as tools is the first step. But then there’s the next step, in which they think of the computer as a tool the way they think of their brains as tools. The brain is a tool that makes tools, and then uses them once they’re made. And every so often it will indeed crash….

Paradise Lost Readathon, March 23

The eleventh all-night Paradise Lost readathon is coming your way March 23, 2007, in Alvey House just across the road from Combs Hall on the Fredericksburg campus of the University of Mary Washington.

We’ll start with an informal gathering at the Parthenon restaurant at 5:30. The reading itself starts about 7:30 in Alvey House. Bring snacks, caffeine, a copy of Paradise Lost if you have it. I’ll have some extras to share.

You don’t have to stay all night. Come when you can and leave when you want. The only rule is that if you’re in the house, you must take a turn reading.

Be there or suffer Miltonic deprivation.

Ken Burns interview redux

An experiment in audio restoration, at Jon Udell’s suggestion. I finished taking out the mechanical clicks (this was a manual process, oy) and then turned my efforts to ameliorating the high-pitched hum in the background. Working in Sound Forge, I ended up with a parametric EQ notch of -6.5 db and a bandwidth (or “Q”) of 2.5 at 973 Hz. It’s really a trial-and-error process for me, but I think the gains outweigh the losses. Compare this version with the version I posted first, and keep the one you like best. 🙂

(Both versions benefited greatly from the Levelator, by the way.)

George Steiner on teachers and students, part three

Steiner’s Lessons of the Masters closes on both pessimistic and hopeful notes. His pessimism, it seems to me, emerges most strongly from his sense that the very idea of Master and Disciple has been rendered problematic, in some cases all but impossible, by “the democratization of a mass-consumption system (this democratization comporting, unquestionably, liberations, honesties, hopes of the first order).” Here, though he does not mention him, Steiner touches one of Ivan Illich’s central critiques of industrialized schooling, but at a spiritual level that Illich, the ex-priest, fights shy of. Steiner writes,

I would entitle our present age as that of irreverence…. Admiration, let alone reverence, have grown outmoded.We are addicts of envy, of denigration, of downward leveling…. Celebrity, as it saturates our media existence, is the contrary to fama…. Correspondingly, the notion of the sage verges on the risible. Consciousness is populist and egalitarian, or pretends to be. Throughout mundane, secular relations the prevailing note, often bracingly American, is that of challenging impertinence. “Monuments of unaging intellect,” perhaps even our brains, are covered with graffiti. At whose entrance do students rise?

A haunting question. A colleague at another university once told me of his fond memories of applauding the teacher at the end of term, an act of gratitude and reverence that was the norm in his undergraduate school. He has other memories, less fond, of the time when he began his own teaching career, not so very long ago, when as the last days of term played themselves out he realized that there would be no applause from these students at this school, ever. That’s not to say that his students were not appreciative. Individually, they have often been overwhelmingly grateful, admiring, and even at times reverent, I suppose. In turn, he is grateful for and to them. But the memory of a class owning its owing, communally, at the end of term, is a hard one to shake.

Although Steiner suspects that technology will make the master-disciple relationship less frequent in higher education (a distinct possibility, though I would be sorry to think so myself), he does close with a soaring hymn to that relationship, to its essential reciprocity, and to its enduring value:

Libido sciendi, a lust for knowledge, an ache for understanding is incised in the best of men and women. As is the calling of the teacher. There is no craft more privileged. To awaken in another human being powers, dreams beyond one’s own; to induce in others a love for that which one loves; to make of one’s inward present their future: this is a threefold adventure like no other…. It is a satisfaction beyond compare to be the servant, the courier of the essential–knowing perfectly well how very few can be creators or discoverers of the first rank. Even at a humble level–that of the schoolmaster–to teach, to teach well, is to be accomplice to transcendent possibility. Woken, that exasperating child in the back row may write the lines, may conjecture the theorem that will busy centuries….. Where men and women toil barefoot to seek out a a Master ( a frequent hasidic trope), the life force of the spirit is safeguarded.

And then, finally, a terrific burst of insight as Steiner drives to his close, one that awakens my own ache for my many Masters, those teachers who have shown me distant horizons and the crafts to take me there. I wish I could be back in their classrooms, listening to them again, instead of trying to stammer out my own halting words. I wish I could find them somewhere, sometime, still in their prime, still scouting for talent among their students, their eyes resting on me with encouragement, with stern reminders and pedagogically sound impatience with my many delays and distractions, and finally, sometimes, with approval, sometimes even with pride and love. I think of one of my greatest Masters of all, Elizabeth Phillips, standing outside her house as I prepared to drive to San Diego to take my first job as an assistant professor of English. Seventeen years earlier I had first heard her voice, and begun to dream of the day I might earn the benediction she gave me on that July afternoon. Of a colleague in her department, she said, “he knew you were one of mine.” Indeed I was. To know that she knew it, and to hear her say it nearly two decades later, was a joy almost too great to bear.

Steiner’s final question is for me the most haunting of all. It sounds the ubi sunt? that I hear with increasing urgency as my own days increase:

We have seen that Mastery is fallible, that jealousy, vanity, falsehood, and betrayal intrude almost unavoidably. But its ever renewed hopes, the imperfect marvel of the thing, direct us to the dignitas in the human person, to its homecoming to its better self. No mechanical means, however expeditious, no materialism, however triumphant, can eradicate the daybreak we experience when we have understood a Master. That joy does nothing to alleviate death. But it makes one rage at its waste. Is there no time for another lesson?

Interview with Ken Burns, February 2003

Ken Burns speaks with a student at Mary Washington

Four years ago, and what seems like a lifetime away, I was fortunate to be able to speak with filmmaker Ken Burns just before his Fredericksburg Forum appearance at the University of Mary Washington (then Mary Washington College). The interview was published some time ago, but in my newly urgent dedication to getting my archives out of my boxes and into the cloud, or at least into the bottle I’ll cast on the waves, I offer this podcast of the interview.

The audio isn’t top-notch: I was using a small cassette recorder and its built-in microphone. There’s also an annoying “click” every so often. But I think the results are at least listenable, and worth hearing for the particular emphasis and tempo of Burns’ responses.

Burns was ready for the questions, though he had no inkling of what I was going to ask. I admired his candor, his intensity, and his immediate willingness to go deep. In another life, perhaps I should have been a journalist, or at least a radio interviewer. I like the sense of occasion.