Foo Camp Day Three: Bret Victor, and after

Untitled

How could anyone resist a session with this title–and this layout for the schedule display?

So I went to Bret Victor’s session, arriving about fifteen minutes after he’d begun. There was an animated fish on the screen, and a worm on a hook, and sometimes bubbles, and sometimes a little wheel (that I later learned was a timing element). Bret was demoing the most recent iteration of his Dynamic Pictures research. The idea, as I understand it (and my understanding of it is just beginning, so this is all memory, exploration, interpolation, and probably full of mistakes and gross oversimplifications), is that math is not only about language, as in an abstract set of symbols, either mathematical symbols or programming code. Instead, math is also about geometry, visual representation that can move and be acted upon directly through a UI that nevertheless asks the user to think abstractly about what’s happening “concretely” in the visual representation one is manipulating.

Bret’s project is to use the computer to allow for new methods of reasoning–or perhaps not “new” so much as “newly applied.” We now have the tools to allow us to think, to reason, in differently mediated ways. Why not use them to do so?

The session was mesmerizing and so … different … that I had a very strange sensation as I tried to take it in. I felt at the very edge of my zone of promixal development. That is, I could understand what Bret was saying as he was saying it, but that cognitive bubble was very small, so small that I found myself with no extra resources for deep metacognition. At the same time, I also felt as if I had had this experience already at various times in my life: when I fingerpainting in kindergarten, when I got my Radio Shack 50-in-1 electronics kit for Christmas, when I got my first stereo and began to understand what “soundstages” were in audio reproduction.

Picture from an Ebay seller. Mine is in better shape (and in Texas right now).

What all of these experiencs shared was a strange, almost surreal link between the world of objects and the world of thought, as if a sufficiently intense thought could create something material, or as if a sufficiently intriguing, provocative, or alluring material object could somehow emit thoughts as if those thoughts were embedded within it. Longtime readers will recognize that the “meaning” and “doing” modalities here are part of my obsession with poetry, with the myth of Orpheus, with John Donne and T. S. Eliot, with computers and stereos and electronics generally. Bret is an obsessive’s obsessive whose mental landscape must be a mashup of Magritte, Tufte, Mike Oldfield, Cervantes, Alan Turing, and Ada Lovelace. To name only a few.

Doug Engelbart came strongly to mind during Bret’s demo, as his ideas of hypersymbolic communication and the next stage of human evolution seem eerily realized and advanced by Bret’s work.

If I recall correctly, Bret himself cited Seymour Papert’s work with LOGO and the programmable turtles as an influence. The interesting difference here is that Bret takes Papert’s turtles and re-abstracts them into the realm of visual representation, with the twist that dynamic visual representation then becomes the origin point, not the result, of programming. It’s as if one programmed the computer by moving the turtle–but the motion is realized with the precision and yet also the familiarity (tactile, motor, cognitive) of a simple drawing. A virtual turtle that moves the mind that imagines it.

Bret’s website–actually, I’d call it his cognitive exoskeleton–is worrydream.com. It’s actually (online) cognitive exoskeleton 3.0. His previous websites, linked on the new one, also repay close investigation. The biographical sections are very interesting, as the representation of self in language, to my mind (heh), is analogous to what Bret is doing with his dynamic pictures.  The precise modes of “interaction” and dynamism that linguistic self-representation enacts (particularly in poetry) are extraordinarily complex, of course, and more than I can get into here. But I wanted to register the resemblance.

To bring in one more of my favorites, I don’t believe I’ve ever seen a more convincing elaboration or illumination of Alan Kay’s aphorism that “the computer is an instrument whose music is ideas.” (I just learned that Alan Kay knows Bret’s work–of course he must–these circles are unbroken–lovely to see this.)

The climax of the session for me was “part three,” in which Bret performed a short video uniting myth, the creation of life, the rise of cities, space flight, and a panoply of human voices that, unlike the ones Prufrock hears, wake us and we breathe…. You had to be there. You’d have heard the whoop than rang through the room as we responded to what we’d just experienced.

Tweets for Bret Victor’s demo at FOO Camp 2012

I sensed it’d be something special, and I did make an iPhone video that works for me as a souvenir. I don’t know how intelligible it would be for others. Perhaps all you need to see are the gestures, the timing, the slight swaying-to-the-beat. Here’s one frame from the video, toward the end:

Untitled

See the way that fellow is leaning forward? Take that as a representation of what I think we were all feeling at that moment.

Bret’s Twitter page has a one sentence profile: “The Prerequisite Is Hope.” Bret’s logo is a windmill. As I write of this remarkable session, I find myself wishing I could spend a semester (or more) of advanced study as a cognitive apprentice to this young man. Anyone who gives Papert’s The Children’s Machine seven stars on a five-star scale is someone I would gladly know better. Perhaps our paths will cross again. The trick for me will be to retain the enthusiastic naivete that would keep me hopeful, instead of the all-too-easy sinking feeling that would make my naivete cower in shame. That’s a roundabout way of saying that if I’d known as much about Bret before FOO Camp as I’ve been learning since, I’d have been too self-conscious to rush up to him and say hello the way I did the day before. And that would have been a great shame and a greatly wasted opportunity.

EPILOGUE:

After Bret’s session, I wandered to the big tent for the closing session. I was a bit disappointed. Tim and Sara spoke briefly. Tim said he thought the Camp had gone very well indeed, and that it was a fitting 10th-anniversary iteration of the grand idea. Sara thanked all who’d made it possible. We yelled out our thanks in return. There was applause. And that was it. I’m not sure what kind of closure I expected or wanted. I know everyone was worn out. But I wanted more reflection from the leaders, I guess, more of a sense of their hopes and dreams. Sometimes one wants a sage on a stage–the key word here being sage. I have no problem with the sage on the stage when I feel there is wisdom to be gained, as I did here.

So I walked around for a bit afterward, looking at the now-empty spaces where just a few  moments before there’d been such a buzz of activity and conversation. I like walking through such spaces and hearing the mental echoes of the presences I’d experienced there. I learned those pleasures when I did theatre in high school and college, and found I enjoyed walking around the set after everyone had gone home, or even after the play had closed. Something about moments and people and the places we inhabit, something about the relation of mental space and emotional space and physical space.

As I kept on wandering, I found myself heading upstairs in Building B to look at the Make Lab, one place I hadn’t been during the weekend. There I found a set of folks still busily engaged in various activities, as if the weekend were still going strong.

Make Lab, O'Reilly FOO Camp 2012

In this corner of the O’Reilly multiverse, the Camp hadn’t ended after all. I now understood the sign I’d seen on the Conference Schedule wall earlier in the day:

Untitled

I have a sneaky suspicion Bret Victor made this sign.

Unparadoxically (guess I watched my steps well), it turned out that it wasn’t too late to get a 3D printout of my head. A “bust of Gardo.” I got in line, got scanned, and got my printout in the queue. “Come back in about an hour and a half,” I was told. So I did, and you can see the results here.

Untitled

Many thanks to Sabrina Merlo for that ultracool photo. Special thanks to Eric Chu for his patient, welcoming work on the scanning and printing, and on answering my many questions about the process, all long after folks were vacating the campus. Really, everyone at Make Lab was amazing. I felt a depth of connection there that took my breath away and helped me feel less like an outsider and more like a fellow geek. It was a superb ending to the FOO Camp experience, one in which I had many conflicting emotions, chief among them my great desire to make the most of the time I was there by contributing to it in some meaningful way.

I found that “making the most” was difficult for me this go ’round. In other experiences like this, most notably the Governor’s School in Virginia and the Frye Leadership Conference, I’ve found the “come on in” portal sooner, or more securely. I didn’t really find it here until I found the Make Lab on the final afternoon. Having found it there, I could see the places the portal might have been flickering earlier in the weekend–or even places I might have walked through that “come on in” portal without knowing it. Hard to say.

But as you can tell from this series of blog posts, my first blogging in (I regret to say) over three months, the experience made a huge impression on me. Looking back a week later, I can see that these posts came out of a strong sense that if I hadn’t found a way, I had to make one. Just like the tagline says. So these posts are my portal, and for what they’re worth, my contribution.

One last thought. Before I got my invitation to FOO Camp, I may have heard of the gathering, but I had no idea, really, what it was, or why it was, or who had been. During the Camp, several tweets appeared in the stream from folks who weren’t there. Some were angry, some were rather snarky and resentful. For some reason it always surprises me to see such things, which is very strange, as such responses are utterly predictable and have a long history in all things human. While it wasn’t fun to hear virtual raspberries, especially when I felt very much the outlier and was trying hard to make sense of it all myself, I am gradually becoming more aware of FOO Camp’s place in the larger hacker/maker/thinker culture in which it exists. All very complicated, to be sure, but in some ways I also feel as if I’ve been here before: the always-difficult balance between community and exclusion, between the drive for excellence and the gradual narrowing of one’s criteria for excellence.

I was bemused (not amused–there’s a difference–see definition one) to see this tweet shortly after the Camp ended:

Required reading for all #foocamp-ers -> The Inner Ring by C. S. Lewis lewissociety.org/innerring.php

A salutary caution indeed. Yet the care the FOO Camp leaders take to refresh the group each summer by making fully half of the crowd new attendees suggests the leaders are mindful of these dangers as well. And there are outliers–more of us than I might have imagined–who have little or nothing to do with Silicon Valley or hacking or web development. Still: point taken. And I did reread the essay. At one point Lewis writes, “Until you conquer the fear of being an outsider, an outsider you will remain.” Interesting that his caution can apply equally to people who believe themselves “in” and to people who believe themselves “out.” I guess it comes down to motive, to “desire” (Lewis’s word), to the why of one’s participation or ambition. But here I feel a Milton essay coming on (all these topics are covered in his work, to stunning effect).

So that’s it for now. To all at FOO Camp, but especially to Tim O’Reilly and Sara Winge for leading the Camp, and to the person or persons (you know who you are) who suggested I be invited, my thanks. I’ll be thinking about this experience, and working through it, for a very long time to come.

Thanks also to Virginia Tech and the good folks in the Division of Learning Technologies for supporting my travel and participation.

Untitled

A dream we dreamed one afternoon long ago.

FOO Camp Day Three

Inch your way through dead dreams to another land.

This day didn’t turn out as I had planned, but though that was hugely disappointing (more on this below), what did happen was, it turned out, very important. I wish there’d been some way to have it all, but then I always wish that. Someone has to wish that. Otherwise, we don’t get as much as we might. Or so the story goes (i.e., the one I’m sticking to).

Session One: FIX COLLEGE, led by Allen Downey of Olin College. I’d seen Allen at several of the sessions I’d attended. I was curious to see what his session would be like. Like the Academic Research debate the day before (Allen also attended that one), this session was very lively and quickly got to some core issues, which of course was a very good thing. Allen listed “what needs fixing” on one board as the audience contributed a long and familiar list of candidates: cost, access, curriculum, narrow vision, lack of intellectual integration, etc. I contributed “absence of creative participation in Internet culture,” which for once, I’m happy to say, actually made sense to a group of discussants. Most higher ed people have little or no idea what I’m talking about when I say “creative participation in Internet culture,” I’m sorry to say, because most of them do not creatively participate in Internet culture themselves. Several people in this group actually help define current Internet culture–Nerdfighter/SciShow maestro Hank Green was sitting right in front of me–so they grokked what I was saying immediately. In fact, someone piped up right away to say, “yes, though many universities seem to believe they are actually ‘using technology’ in their teaching and learning strategies–the term “Internet culture” demonstrates what they aren’t doing.” As I look back on FOO Camp, that moment was one of the true highlights for me, one time when I felt that a true, deep grokking had happened that typically eludes me in other contexts. I will also say, here and now, again, that without creative participation in Internet culture, colleges and universities are fooling themselves with regard to their strategies for progress in the age of online learning. The nightmare scenario, of course, is that colleges and universities will not only fool themselves but turn us all into (bigger) fools as well, as they’ve shown themselves to be completely capable of doing with the industrial models of education and “learning management” they’ve perpetuated in what should have been a Golden Age of digital learning comparable to the Golden Age of the early days of networked, interactive computing itself. The next stage, of course, will be to find ways to use analytics and flipped classrooms and climbing walls and big-time athletics and whatever else comes over the transom to make learning manageable (and profitable) (and effective at creating tractable, non-disruptive “citizens” out of free democratic agents). Then we’ll have what we have now, but even more commodified, and probably cheaper too, except for the finishing boutiques available to those who can still pay the stiff tuition and/or endure the crippling debt.

But I digress. (I delivered a burst-screed not unlike the above at the session and elicited the response “tell us what you really think,” to which I responded “well, the play was terrible, too.” Hey now, hey now.)

One of the participants (I think it was Hank Green) pointed out that graduates are likely to be expected to know how to blog, but of course universities aren’t doing much of this. (I’m proud to be an exception and to be helping more VT colleagues move in that direction; I’m also proud to have had a hand in the BIg Exception led by the exceptional folks at the University of Mary Washington.) Instead, it’s still term papers all the way down. Right. This is a tough needle to thread. I don’t want students to be blogging because that’s something General Electric wants them to be able to do. On the other hand, blogging has such a wonderful potential for disruption (if it’s really blogging and not just PR by other means) that I do want a generation of graduates able to practice their potential disruption–and its twin, innovation–on company time. Oh yes.

Lots of lively discussion in this session, with a closing emphasis on “what can we do?” Allen shared his proposal for mini- or even micro-colleges that would have few students, a completely set shared curriculum, no classrooms (only co-working space), no classes (all studio-style learning, with direct instruction mingled with coaching, mentoring, apprenticeship, etc.), no dormitories (students find places to live in the community), and a huge emphasis on having the students work within the community, and share their learning with the community. Kind of an “embedded studenthood.” There’d be next to no student services. The students would provide their own extracurriculars. An entire layer of administrators and support personnel could be eliminated. The resulting cost savings would mean about 10K per year per student in tuition.

This is a wonderfully audacious vision and there’s a lot to like about it. Fact is, I’d love to work at a college like that. The biggest downside, as one participant noted, is that students would have to have decided not only on a college but on a particular curriculum before they’d even enrolled. Allen agreed this was a problem, but pointed out that the cost of switching would be low. Some folks responded (I among them) that the larger goals of intellectual development and the acquisition of a cultural toolkit that could be used to change the culture might also be lost in this plan. Allen conceded these were difficult and important questions. But I remain intrigued by the idea of a network of minicolleges, learners embedded in their communities, curriculum and learning vastly reimagined. Intrigued, and inspired, and grateful to Allen for convening the session. We ended by nominating “weird schools” for ambitious students and wise parents to consider. I gave a loud plug for Hampshire College. Another person gave a shout-out to Warren Wilson, which her parents had attended. Everyone pointed out the value of internships and (especially) study abroad. And at one point, someone proposed a survey of who among us had graduated from a “top 50” undergraduate college. Fewer than half of us said “yes.” Fascinating.

Session Two: O’Reilly.edu. This session never really started, as the facilitator didn’t make it in to start it. So four of us sat around and talked for awhile, which is itself a good outcome, even though it wasn’t the one I had anticipated. The best part of the talking for me was a very intense and passionate conversation with a professional skateboarder named Rodney Mullen. This was the most direct, electric connection I felt with anyone during the camp. It deserves a blog post all its own. Suffice it to say that Rodney listened with astonishing energy; when he focused on what you were saying, the focus was of such high quality, so generous, that the saying took on a life of its own. I found myself near tears as I tried to articulate my own practice and ambitions as a teacher and a learner. We went from New Media to Milton and back again within two minutes of blazingly intense exchange. I didn’t feel his commitment to our conversation waver at all, even for a nanosecond. And he was equally generous in the way he talked about his own work, his own life’s journey, and his own struggles with imposter syndrome. I was floored, gobsmacked, humbled, inspired. It was a great gift and the one moment during the entire experience where I felt a complete high-bandwidth connection with another person, where I felt my need to be understood and my drive to understand were in perfect synchrony, mutually reinforcing, and making their way to another land. My thanks to Rodney for those thirty minutes. They made all the difference.

Session Three: I had signed up to lead a discussion on “Helping Faculty UNCLENCH About Computers.” I had struggled with the title, at first calling it “Bring Me  A Higher Love (for participatory culture),” but then thought that would be way too abstract, or perhaps even coals to Newcastle in this setting. What I really wanted to talk about was my ongoing (and distressingly desultory) work with the New Media Faculty-Staff Development Seminar.

As it turned out, it didn’t matter what I called it, as no one showed up.

I sat there for fifteen minutes or so. I spent a few minutes wondering what the heck I thought I was doing and who was I fooling anyway? I watched Ted Nelson’s very strange little video entitled “Silicon Valley Preview 1.3,” which I’d been dying to see since Anil Dash brought it up in the very first session. Then I decided to pack up and head for Bret Victor’s session, “Stop Drawing Dead Fish.” As you can imagine, I was pretty crestfallen (ok, maybe even crushed) that my session drew zero interest. On the other hand, I had wanted to see Bret’s session anyway, and was disappointed when we turned out to have selected the same slot on Sunday.

So as it further turned out, it was a good thing to have seen Bret’s session. A very good thing indeed. I’ll try to explain why in part two of my write-up on FOO Camp, Day Three.

FOO Camp Day Two

FOO Camp 2012

Yesterday the unconference sessions got started. I want to record some memories and thoughts here. I hope to expand on them later, but I know myself well enough to know that if I don’t get something down right away, it will become harder and harder to get the headspace I need and the events deserve. All a longwinded way of saying “half a loaf ahead … better than none, I hope.”

Also, please note that about eight to ten concurrent sessions are typically going for each time slot. My experience, alas, will thus be a very very thin slice of the whole (half a loaf, and very thin slices as well; someone call the metaphor police, please).

SESSION ONE “Dave Winer Is Always Right.” Led by Anil Dash, one of the many folks whose name and face I recognized, while at the same time recognizing that I truly knew next to nothing about his work. I’ve had many such humbling moments at FOO Camp. I need a sabbatical or three. Nothing to do but keep working.

As I said in one of my live tweets from the session, I felt like I had just enough knowledge of Dave, his work, and the larger technical/cultural issues to be able to follow along. I was fascinated to learn more about Dave’s role in the tech community, including the way his stubborn insistence on certain core principles had earned him both respect and rejection. Personality aside (though this tribe is certainly personality-rich–I’m often reminded of the movie Real Genius around here, and one of the participants in this session looked exactly like Kevin Smith’s “Warlock” character in Live Free, Die Hard), Dave’s core principles were, by consensus, largely correct and consistently prescient, if one accepts the idea of a free and open Internet as a good thing (I certainly do, and the folks in the room did too). RSS beat Atom because RSS was good enough. While others debated standards, Dave developed RSS enclosures, teamed up with ex-MTV VJ Adam Curry, and made podcasting a vital force in the cybersphere. Dave’s idea of the “river of information” actually predicted the world in which we now live, where the experience of reading a constant feed informs the core experience of Facebook (even though all acknowledged that Facebook was not a model of a free and open Internet). The idea of a personal cyberinfrastructure (my term) that came up as a “local server for poets” went by very quickly and I didn’t get the reference, though it seems to be like the ideas Dave was expressing in his “Let’s Build A New Internet In Academia,” where he argues, correctly in my view, that “Every student should at least have a chance to manage their own infrastructure.” (I would add to this that the creation and management of that infrastructure should not only be viewed as creating and managing a tool, but envisioning and displaying a kind of cognitive architecture, a network that is also an artifact.) Two other impressions I took away from this session: this conversation has been going on a long time, and the participants were all acutely aware of the history and had in fact contributed extensively to it (another way of saying I was visiting another tribe, one I’ve tried to participate in with my distant, crab-wise, oblique strategies); and that there was a sense of nostalgia in the room for the more robust days of the late 90s through the middle of the first decade of the 21st century, a time when folks were blogging furiously about all the new modes of interaction coming online just as Web 2.0 kicked in fully. The folks in the room, most of whom looked quite young to me, talked about new developers who had “the arrogance of youth” and were busy reinventing mainstays like blogging in their own image. They spoke admiringly of this new generation, but also noted they “could teach them something, could help mentor them.” Not for the first time I was reminded how quickly Internet years pass, and how much has happened in just the nine years since I started on my own path in edtech. Part of the session’s praise of Dave Winer had to do with his stubborn persistence as a blogger–he just keeps talking, and never gives up. (I have taken this to heart.) Much more to say about this session–I felt like an elderly anthropologist, but also like a kid listening to the grownups talk about the old days. A strange mixture to be sure.

Session Two: “The Future of Reading,” led by Linda Holliday. This session was the most disturbing of the day for me, and I need to unpack it at much greater length. Here’s the short version. Many people in the group thought the purpose of reading serious nonfiction was to get the “ideas” from the text, and that books would be better if one could skip all the “narrative” parts (remember, we’re still talking about nonfiction here) and just get those “ideas.” The use case was Kevin Kelly’s new book What Technology Wants. Apparently Kevin writes his books by putting Post-It notes everywhere with his sources, ideas, etc. Then he connects those thoughts and sources with a narrative thread running through a long monograph. But wouldn’t it be better, the session asked, if we could just skip the “narrative thread” part and just get the original Post-It notes of “ideas.” I keep putting that word in quotation marks because, as I argued in that session, the notion of context-and-narrative-free “ideas” really didn’t match with my idea of ideas, which includes the richness of context and all the associative trails, as Vannevar Bush would say, that formed that web of context. There was more talk about how attention spans were shrinking and we needed ways for books to accommodate that fact. I of course think that we should be militating against shrinking attention spans (if they are in fact shrinking).

I’m all for exploring new forms of writing and publishing. The demo of Citia I saw was genuinely interesting: it reminded me of HyperCard and had very intriguing functionality with respect to highlighting, annotating, and storing favorite parts. Yet when the talk turned to “giving people what they want,” and what they want appeared to be a mere set of bullet points or sound bites instead of the rich experience of cognitive engagement shared by author and reader, I found myself increasingly disturbed. Skimming, sound bites, bullet points, dessicated and contextless “ideas”? At times it sounded as if I were hearing the reinvention of No Child Left Behind as a strategy for marketing books. One person (I’m not trying to call anyone out by name here) noted that she just couldn’t read the elaborate Victorian prose of William James’s Varieties of Religious Experience, and wished there were a more modern rendering available of “just the main and original ideas.” “Like a Cliff’s Notes,” another person chimed in, without a trace of irony. I confess I was appalled. We’re talking about losing the ability to appreciate and understand a wide variety of expressive strategies in language–and treating the 19th century as if it were Chaucer’s Middle English. Another person talked about how hard it was to read Shakespeare. Admittedly, there is indeed a language barrier there, but there are also many helps to get one to a more skilled reading of the original text. This person appeared to want the helps alone, and was ready to give up on understanding the originals. I could hear Joe Friday in my mind, repeating “Just the facts” over and over, as if facts derive or communicate meaning in the absence of context. Again, I must emphasize that the platform I saw was intriguing, and I fully agree that we need multiple modes of reading and communication. The bound volume made of dead trees is not the gold standard by any means. But the argument I was hearing wasn’t so much about formats or modes of expression so much as it was about what seemed to me to be an Evelyn Wood approach to skimming rich expressivity in search of brief, declarative sentences that would fit on the electronic equivalent of an index card, all in the name of saving us time and catering to our busy modern lifestyles. One participant did ask “what about the synthesis an author provides?” but that question didn’t really get answered, at least in my hearing. Jeepers. I wasn’t the only one pushing back here, but it did seem to me that I must experience and value reading in a way that’s very different from the other folks in this session. I found that disturbing.

Lunch: I had an interesting conversation with folks about education and analogous strategies for organizational motivation and productivity. When folks at the table asked what I did, I replied “I’m an English professor.” The fellow to my right said, “are you sure you’re at the right conference?” To which the only answer is, oh yes. One very interesting fellow across from me had the Christmas Story “Fragile” leg tattooed on his arm. I found this very charming. One of the great things about FOO Camp for me is seeing how far people are willing to go to assert their status as mavericks.

Session Three: After SOPA/PIPA, what? Led by Catherine Bracy. Here the basic question emerged of whether the recent (partially) successful defense of the open free Internet should be extended to other human rights questions such as prison reform. Should we try to encourage free Internet advocates to take up other kind of advocacy as well? There was no consensus. A strong point was made that advocating freedom of speech was qualitatively different from using free speech to advocate various other policy issues. (This struck me as an interesting platform-vs.-application argument.) I found myself in sympathy with the hope that the Internet community could rally to other causes as well, while at the same time believing, like Milton in Areopagitica, that disagreements and the “hewing of timbers” were not only inevitable but desirable in an open exchange of ideas, and the openness of that exchange is a different matter from the direction or conclusions of that exchange. Still, I recognize that these are very complex questions.

At one point, I raised the question of education: I argued we should be teaching the basic architecture of the Internet, and the values that informed its development, as part of civics lessons in middle school. I challenged the group to come up with three Top Reads they’d recommend to anyone who wants to know why a free and open Internet was created and why it matters. What emerged was John Barlow’s “Declaration on the Independence of Cyberspace” and Benkler’s The Wealth of Networks (I asked, “the whole thing?”). Perhaps there was one more–the discussion was getting a bit chaotic by that time, veering from lobbying to expert testimony to the question of whether democracy could really scale to 300 millions citizens. I didn’t get much traction with my challenge, in the end, though there was general agreement that a democracy depends on an educated citizenry, not just a bullied and manipulated and influenced citizenry. There were also interesting arguments about whether Congress was venal or simply clueless–many argued the latter. The limits of the apolitical and the political were also discussed, indirectly.

Session Four: Invisible Economies and the clothesline paradox. Led by Tim O’Reilly. Taking his point of departure from an essay in Stewart Brand’s “Coevolution Quarterly,” Tim asked us to help him capture examples of new monetized Internet economies as well as unrecognized economies born of the Internet whose values are not yet being tracked or measured, values that could play a role in new kinds of economies. The ideas are much more complex than I could possibly summarize here. Luckily, Tim’s been working on this idea in other venues, and Ethan Zuckerman has a very helpful and articulate account of Tim’s recent visit to the MIT Media Lab, where he discussed many of the same ideas he did yesterday at FOO Camp. Tim’s obviously stepping back at FOO Camp so this doesn’t become the O’Reilly show, and I certainly respect him for that. Still, it was great to be in that session with him and to be in contact with a mind and spirit I’ve got such tremendous respect and admiration for.

Session Five: The Quantified Mind–self-hacking to get greater cognitive gains. Led by Jeremy Howard. Jeremy told the story of learning Chinese as a cognitive performance experiment, and revealed that the CIA actually maintains a list of languages rated by their level of difficulty for Westerners. (Who knew?) In his learning, Jeremy did an experiment, and used a feedback program called Anki, a program like another, older program called “Super Memo,” to let him know what times of day, and what circumstances, led to greatest effectiveness in memorization. Also discussed: Amazon’s spaced-repetition Kindle highlights, Memory Theatre, Treadmill Desks, and (my contribution) the growing field of neuroeducation as evidenced in “Mind, Brain, and Education,” which seemed of interest to Ze Frank, which of course gave me a good feeling, being a fan of his work and all. (I really am working hard to keep up the self-confidence and not be too dazzled by all the Folks I Am Meeting In Person. Bear with me.)

Session Six: How to Build Community. Led by Hank Green (of Nerdfighters and SciShow) and Ze Frank. Issues discussed: best practices in moderating forums, encouraging followers to become mindful contributors, community-as-action and not just community-as-aggregation, the relation between online communities and communities in physical space. At one point, Kathy Sierra told the story of Java City and their policy of “no dumb answers.” The idea was to encourage community by lowering the threshold to close-to-zero for folks who wanted to pitch in and contribute answers to the knowledge community (and to keep the Java Jocks from beating up on the newbies so severely, though the newbies had to earn their way up, too.) I thought this was a fantastic idea. Note that she didn’t say “no wrong answers.” Of course there are wrong answers. But the word “dumb” means “we’ll never get anything good out of you, and how dare you speak at all.” Very easy for a newbie to get that message (I don’t think I’m just projecting here). When the idea of a “dumb answer” is taken off the table, we get to that sweet spot where we can talk about learning, about failing early and often, instead of about whether one deserves a seat at the table.

Session Seven: Debate about Academic Research. This was a corker. On one side the flip chart said “Academic Research Rocks.” The defenders: Arvind Narayanan and Hadley Wickham. The other flip chart read “Academic Research Sucks,” and the defenders were Anthony Goldbloom and Pete Warden. Issues discussed and questions entertained: Value of long-term long-range no-immediate-payoff work vs work driven by immediate competitive gains. On the other hand, value of more rapid churn vs entrenched self-certifying self-validating work that never answers to any real-world goals. The problem of academic writing (dry and colorless, with meaningless bans on using “I” that crush imagination–Pete Warden brought this up and I went into a sympathetic rant–sorry, but I hate writing pedants and the little red pens they rode in on, and hate is strong word). The problem of fear and loathing in academia, top to bottom. Altmetrics. How to recognize value of blogs, etc. One of the participants, as it turns out, was Josh Greenberg of the Sloan Foundation, who’s funding work of Altmetrics folks at UNC-CH SILS. Excellent. Need to communicate findings of scientists, etc. with public. No real mention of humanities scholars aside from Tim Carmody, who got his Ph.D. in comparative literature. (The problem of research in the humanities is a huge problem, as is increasingly apparent to me. Clark Kerr helped me understand the scientific-grant-driven multiversity, and I’m beginning to understand how humanities scholars have effectively removed their own reason-for-being by doing nothing but epistemology games. Generally speaking.)

There was also considerable discussion of whether researchers should be teachers, or whether there was any relationship between teaching and research. Andrew Downey of Olin College observed that undergraduate education was in a parlous state. Point well taken. Was tenure to blame? This is less clear to me. Again, the humanities simply did not figure in the argument in any meaningful way. Yet the humanities, among other things, help us understand the history, process, and possibilities of making meaning. I do not agree with my colleagues at Baylor University (most of them in the Great Texts program) who believe that scientists are soulless mechanics who desperately need a grounding in philosophy, ethics, and religion (presumably this would keep them humble? from doing science if it seemed irreligious? I never could figure this out). At the same time, the humanities do seem to me to have an important contribution to make to the ongoing process of human ingenuity in the sciences. I think poetry is exceptionally important in this regard, largely for the same reasons Bret Victor explores visual representation at his astounding website, though Bret’s work is so far beyond anything I can execute that I can only stand back and point, usually slack-jawed. Even with a slack jaw, though, I sense some resonances. I hope so.

At the end of the session on academics, I delivered myself rather strongly of my rather strong opinion that not only were most structures, processes, and practices in education ineffectual, but also that many of them were in fact unethical. The leaders of the session adjourned on that note–to my chagrin.

One thing that must be said: I think Hadley Wickham is exactly right to say that the onus is on the tenure candidate (or academician generally) to see to it that his or her work is maverick enough to be personally satisfying, no matter what the consequences–while at the same time trying one’s best to make it understandable to those who would like to support it. I could wish for much more collegial support, especially when the project doesn’t make sense; as I re-read The Dream Machine, I’m reminded of how many mavericks in the early computer age were simply blocked, stymied, or otherwise thwarted by dimbulbs and hostile forces in the academic bureaucracy above them. I cordially despise the ritual hazing and obligatory snarky adversarial interaction that characterizes much of academia (I’ll be taking up that topic in a subsequent blog post, now in draft). But Hadley’s right. Academics shouldn’t claim to be victims when the opportunity to do great self-defining work is theirs, at least for awhile. Many people don’t get that much of an opportunity. I’m reminded of my dear colleague Shelli Fowler’s beautifully relentless emphasis on agency. We do get to choose. Yes we do.

I then had a very stimulating dinner conversation with Stacey Aldrich, state librarian of California. Ridley Scott, prison libraries, futurists, archives. She approached me by saying “you’re the teacher, right?” Yes, I am. A lovely talk ensued. I hope our paths will cross again. The world needs (many) more futurist librarians, and librarian futurists. That Stacey was at FOOCamp gives you an idea of how eclectic and farsighted the roster can be–though of course that also means at least one runt may get in (namely me).

Ignite FOO Camp followed dinner. You can see a 360 panorama of some of the attendees by Rachel Sklar here. There were inspiring, funny, provocative talks on taxes, financial meltdowns, Boxie the robot, Einstein’s Brain (Steven Levy), and turning aid to Africa into Made In Africa. The whole thing was streamed live on Google+. It was great to be there, but I would have had a better seat in front of a PC/Mac screen–that’s me on the floor in Rachel’s photo, looking thoughtful and trying to see around a column.

I was psyched to attend the session on MOOCs planned for the 9 p.m. slot after the Ignite talks, but the room was dark when I got there. Seems that Saturday night was calling. I did get to meet Andrew Ng and speak with him briefly. I am deeply curious about Coursera and will be following its progress closely. (It was an honor to meet Andrew–I wish I’d had a chance to hear him talk.)

Two other bits of serendipity. I got to meet Bret Victor, whose worrydream.com site is one of the most astonishing things I’ve seen on the web, ever. Jon Udell turned me on to this wonder, and I felt very fortunate indeed to meet Bret and shake his hand there on the breezeway of the O’Reilly campus. It was hard not to gush so I didn’t even try. He was shy but very cordial and asked about my work as well. I hope there’s a longer conversation in our future. I’d love to bring him to Virginia Tech for a talk. Stay tuned.

The other bit was that Dave Winer himself tweeted something kind about FOO Camp, and I responded immediately with a “wish you were here!” He seemed to appreciate that. It was great to make contact, however briefly, with someone whose work has informed everything I’ve tried to do over the last eight years in the edtech domain. I felt I had been able to say “thanks,” and being able to do that always means a lot to me.

 

FOO Camp 2012 begins

Welcome to FOO Camp.

They’re eating breakfast at FOO Camp right now. I’ll join them in just a few minutes, and tuck in for some geekery, some intellectual soul food, and some inspiration during the full day and evening of sessions ahead. Sessions and serendipity, too. The unconference format (this is my first unconference, by the way) is nothing if not a “designed serendipity” environment. The phrase is from Michael Nielsen’s new book on networked science Reinventing Discovery, where he cites the source of the idea, Jon Udell, who recently was at Virginia Tech as our first Distinguished Innovator In Residence. Jon was here at FOO Camp last year. I wish he were here this year. I always feel a bit lonely and lost at these new gatherings, so I try to throw myself into the proceedings as best I can. It’s easier with the extremely warm and welcoming staff at O’Reilly, who’ve done a great job of getting this party going (and to judge from prior years, keeping it going). And I’ve already started to meet some of my illustrious and driven fellow campers. Last night at dinner I met Eric Gundersen of Mapbox and had a fine conversation about our separate work and mutual obsessions, including our shared membership in the Jon Udell fandom. So I suppose Jon is here, after all, though it’d be more fun without quite so many degrees of separation.

I’m also following and contributing to the Twitter stream at #foocamp (Tim O’Reilly’s choice, though Sarah, who thought up the idea of FOO Camp originally, said the tag was #foo12–somebody bring in an aggregator here), and learning by the way about others who’ve been here in the past, as well as the thin stream of resentment that such gatherings occasion. One snarky tweet said attendees were “pretentious tools” who were straight out of the movie Metropolitan. I’ve always thought it would be interesting to be in a Whit Stillman movie–the people are acting, after all. And hearing the charge of “complicity” (a tool is complicit, yes? a house slave?) brings back not-so-fond memories of the bully colleague in a former English department who’d trot out that line every time anyone wanted to do something generous or trusting involving the administration. You know, “the man” who’s “doing us wrong.” Sometimes he is, of course. But I digress….

It’s a fascinating experience here already. I hope for more connections, and look forward to what the day will bring. I’ve signed up to lead a session tomorrow in the last time slot: “Helping Faculty UNCLENCH–about computers.”

I will continue to wrestle with my own worries and insanely cosmic dreams.

I’ll keep you posted on what transpires.

A World Wrapped in Grey

A cautionary salutary song for a Monday morning, for all who, like me, can use it:

Some folks see the world as a stone
Concrete dashed in dull monotone
Your heart is the big box of paints
And others, the canvas we’re dealt
Your heart is the big box of paints
How coloured the flowers all smelled
As they huddled there, in petalled prayer
They told me this, as I knelt there
Awaken you dreamers
Adrift in your beds
Balloons and streamers
Decorate the inside of your heads
Please let some out
Do it today
But don’t let the loveless ones sell you
A world wrapped in grey
Some folks pull this life like a weight
Drab and dragging dreams made of slate
Your heart is the big box of paints
And others, the canvas we’re dealt
Your heart is the big box of paints
Just think how the old masters felt, they call…
Awaken you dreamers
Asleep at your desks
Parrots and lemurs
Populate your unconscious grotesques
Please let some out
Do it today
Don’t let the loveless ones sell you
A world wrapped in grey
And in the very least you can
Stand up naked and
Grin

 

“Wrapped In Grey,” by Andy Partridge, from the XTC album Nonsuch

“Computers In The University”

Lots of talk, when it comes to computers and education, about those who “get it” and those who don’t. Until 2004, I figured I not only “got it” but understood well what it was I was getting. In some important ways, I was right, but in many more crucial ways, I was wrong. I didn’t understand what I had been given, or why. I didn’t understand why the people who built networked interactive computing had done so. About the time I began writing this blog, I began that journey of understanding, a journey that continues.

The other day, i was preparing for the class I’m teaching this term, a new variant of my Intro to New Media Studies course that I’ve renamed and focused on what I feel was its true subject all along (and it only took me 4 1/2 years to find the focus): “From Memex To YouTube: Cognition, Learning, and the Internet.” The eerie thing is that once I found that focus, more discoveries began falling from the skies into my eager arms. Preparing for the class on J. C. R. Licklider’s “Man-Computer Symbiosis,” I re-read some material from Mitchell Waldrup’s epic The Dream Machine: J. C. R. Licklider and the Revolution that Made Computing Personal. I’ve read this book about three times all the way through, and I dip into it habitually to relive those defining moments of the emergent digital age–including the defining moments of rank unbridled idiocy that almost strangled the revolution in its cradle, such as the British Postal Service’s refusal to let the team that developed packet-switched communications develop their innovation, in any way, for any purpose. Too disruptive, you see; an entrenched bureaucracy and its reliable revenue streams were at stake. Precious years and opportunities for transatlantic collaboration were lost as a result. I have to think that the bureaucratic self-preservation also meant some spirits were bruised or even broken. Perhaps I’m just projecting.

Anyway, as I read The Dream Machine again, I fell upon a lovely Licklider quote that I’d seen before. This time, though, because the pupil was ready (at last–I’m running hard to catch up), the teacher appeared. Did he ever:

No one knows what it would do to a creative brain to think creatively continuously. Perhaps the brain, like the heart, must devote most of its time to rest between beats. But I doubt that this is true. I hope it is not, because [interactive computers] can give us our first look at unfettered thought.

The letters glowed as if lighted from within. “Where do you find time for all these Internet things, Dr. Campbell? Don’t you think we’re in danger of being overwhelmed? Don’t you think Google is making us stupid? Aren’t you a little bit, well, zealous about all of this? Don’t you think all the junk on the Internet is just time-wasting drek?” And just about half a century ago, Licklider dared to give the radical answer. “No one knows what it would do to a creative brain to think creatively continuously.”

But of course if we want to find the answer, we have to take care to help fashion and nurture and value creative brains. We have to think of unfettered thought as a worthy ambition. We have to acknowledge what Blake called our “mind-forg’d manacles” and yearn for them to drop away.

This time the words were on fire in that quotation from The Dream Machine, and I had to find the source of the flame. So I checked the reference, and found that the quotation came from a volume called Computers and the World of the Future, the proceedings of a 1961 conference at MIT held in their School of Industrial Management. Such a provocative title! And such an ironic occasion: as the rest of Licklider’s remarks made clear, this great man championed the digital multiuser computer as the device that could take education out of the industrial management paradigm and into something new, something as rich and bold and full of emergent potential as the human brain itself:

The impact of the digital computer upon university education, it seems to me, will stem mainly from the changes the computer will produce in intellectual activities generally. The pedagogical responsibility of the university is not to lecture or assign problems or grade them. It is to create a situation within which most bright students will automatically learn. The multi-user digital computer opens new horizons for anyone eager to create such situations. (my emphasis)

Licklider was greatly interested in artificial intelligence, and I part company with him in his over-valuation of the idea of teaching machines. Yet the core of his ambition is, I think, exactly right. I say “is,” even though Lick uttered those words above over fifty years ago, because I have many colleagues who share the ambition, the eagerness, to create those “situations in which bright students automatically learn.” Perhaps “automatically” is a bit too strong. Students need nudging, encouragement, a few jokes and some tough love to make it through some of the more arduous roads to understanding. Yet I take the spirit of Licklider’s words to be that when we aim to perfect our lectures, assignments, and grading, we may (and typically do) neglect our own eagerness, our own continuously creative brains, and the prime pedagogical directive of education: to create situations that stimulate curiosity and self-directed, intrinsically-motivated learning.

And let’s not get distracted by the word “bright,” either. Lick may have meant “highly intelligent,” but even if so, I’ll expand that to mean “any student whose eyes are capable of lighting up.” I’ve seen those bright eyes, and so have you, no matter what the Gf scores report. I’ve also seen the lights go out when school forgets its pedagogical responsibility within the compliant “industrial management” strategies of the so-called “learning management system.” We don’t need any more “learning management systems.” We need “understanding augmentation networks.”

Lick gets the last word:

The conclusion at which I arrive is that the present problem is not to assess the role of today’s digital computer in today’s university. It is to get to work on tomorrow’s computer and tomorrow’s university.

If we “get it” about computers and education, it’s because we were “given it,” decades ago, by the people who envisioned new horizons and the continuous creativity that those horizons could stimulate. So forgive me if I’m eager to create the situations Licklider describes above. The waiting is the hardest part–and I swear that I’m just about done (i.e., fed up) with it.

Works cited:

“Computers In the University,” in Computers and the World of the Future. Martin Greenberger, ed. Cambridge, Mass.: MIT Press, 1962

Waldrop, Mitchell. The Dream Machine: J. C. R. Licklider and the Revolution that Made Computing Personal. New York, NY: Penguin Books, 2001.


Blogs and Baobabs

I do not much like to take the tone of a moralist. But the danger of the baobabs is so little understood, and such considerable risks would be run by anyone who might get lost on an asteroid, that for once I am breaking through my reserve. “Children,” I say plainly, “watch out for the baobabs!” Antoine de Saint-Exupery, “The Little Prince.”

I’ve long thought of blogging as a way of unschooling or deschooling within the framework of schooling. Why not simply deschool entirely? Edupunk it all? For me, that’s a waste. The framework of school can be a helpful point of focus, and at its best can convey a sense of occasion that would not be so strong or inviting without the lovely intensity of an expert imaginatively convening a group of fellow learners, or a group of learners imaginatively convening themselves around an expert, a wise expert who knows how to prize students. I am painfully aware of how seldom one finds wisdom, love, intensity, strength, and prizing within the structures of school, especially these days with the almighty gods of assessment and accountability and so forth installed in a pantheon that has little to do with cognition or relationship. But the abuse of an institution does not necessarily mean the institution itself has nothing to offer. School at its best gives a shape and a collegial society to my yearning for betterment. “Do It Yourself” doesn’t mean “do it by yourself.” School ought to give one a way to find the former without concluding that the only way forward is the latter route.

But sometimes I wonder whether schooling’s distortions can be overcome–or to put it another way, whether school can create within itself spaces for deschooling, moments of release from the dead hands of “rigor” and professorial imitation. Where is the recess for the mind, the space in which freedom within a general sense of direction and purpose can elicit self-surprise, emergent phenomena, essayistic discovery?

For me, blogging has been that recess. Its rigor arises from the non-trivial effort it takes to focus on something while one is exploring it, to focus on it by exploring it, and then to try to create an enjoyable, interesting experience for the reader.  Joy, interest, and focus are rare in the land of college writing, even when one requests or invites them. Instead, at least in my experience, one gets book reports, meandering attempts to ape authoritative writing, or rushed slapdash vacuity that can’t have made much sense even to the desperate writer during the overnight frenzy it took to produce it.

I began using blogs in my classes because I was very tired of papers beginning like this: “For hundreds of thousands of years, men and women all over the world in society have….” I was tired of my best writers producing stilted academic prose. I was tired of my worst writers either stressing so much over the mechanics that their papers got worse, or paying so little attention to what they were thinking and writing that any spark of interest or joy or wisdom that lurked beneath the awkward diction and inept sentence boundaries was snuffed out long before the comma splices began.

To use blogs in this way, I have had to develop an entirely new vocabulary of encouragement, nudging, framing, and evaluation. I have had to examine my own allegiance to the academy (frankly, I find myself working harder to justify the academy surrounding me than I do to justify the blogging within it). And as I have worked within the academy to help my colleagues understand the value and nature of this essayistic endeavor–and to recall that the word “essay” means attempt, not accomplishment–I have had to meet, greet, and push back against many objections. How will I grade it? What justifies this terrible invasion of the student’s privacy? Why should I endure–even encourage–sloppy informal writing that’s not up to academic standards? These questions and their many kin imply assumptions I no longer share, a separation that makes it difficult for me to find persuasive replies. I find we may no longer speak the same language–and given the pervasiveness of these assumptions within school, I feel like the foreigner. But I still try.

Several months ago, I was talking with a colleague about an opportunity for his students to blog, and I tried to explore the new vocabularies and conceptual frameworks I’ve tried to develop as I seek the recess of the mind blogging affords. (Yes, I hear you: “recess” signifies both what I advocate, a kind of cognitive playfulness and inventiveness, and what my colleagues fear, or say they fear, which is a receding emphasis on rigor, formal argument, etc.) I advocated blogging as a place in which Carl Roger’s “freedom to learn” is vividly present as an ongoing source of strength and inspiration within the course of study, even over a lifetime of learning. The blog offers a space, I said, in which the teacher can exercise the humility and delight Heidegger recommends as the highest and most strenuous calling within education, the teacher’s willingness “to let learn.” My colleague replied, “It may be learning, but it’s not academics.” I’d never heard that distinction made so sharply and explicitly. I was amazed by the implication that learning alone wouldn’t make the grade.

In my mind’s eye, I could see the baobabs of academics surrounding the little asteroid of learning, a little asteroid soon to be split into pieces, its fragments sent spinning through a void that must one day, in an ultimate irony, consume the baobabs themselves. But not until those sad and wandering little spheres are reduced to rubble.

Colleagues, I say plainly, and to myself as well: “Beware the baobabs!”

Last week two examples of these baobabs came into my view. In both cases, I’m sure that the professors meant well–and I do not mean that at all condescendingly, since not every professor does in fact mean well. Yet the awful pressure of academics upon learning is everywhere within these articulations, dismayingly so. Even as I write, I feel my own failures and struggles emerging, but I have to say it anyway: it’s probably better not to require blogs at all than to require blogs that are strangled by the baobabs of academics. Save the academics for term papers and other more formal assignments! Instead, preserve a zone in which we can “let learn,” in which there is genuine freedom to learn.  I won’t link to the authors’ websites, as I do not intend to attack them, and because what I believe to be the problems with these specific examples represent a far wider set of attitudes and practices. I single out these two assignments as examples only, ones I happened to run across. It would be unfair to hang the entire weight of my critique on them alone. I also want to salute both these teachers for actually putting their syllabi online instead of trapping them within a “learning management system.” But I feel I must speak plainly.

Here’s the first example.

Blogging (15%): One of the key aspects of your work this semester is our course blog, on which you’ll write frequently, using your posts to respond to our course readings, to draw your classmates’ attention to articles and artifacts you’ve found, and so forth. You are required to post at least one entry each week, which should directly engage with the week’s readings, before the start of class on Monday; this entry should be as formal as a printed reading response would be, paying attention to the quotation, citation, and explication practices involved in close reading. Other entries are greatly desired; these can be as informal as you like. You can explore issues that have been raised in previous class discussion, but you must significantly expand on that discussion and not simply rehash what’s already been said. You can skip two of these reading response posts with impunity. You are also required to read your classmates’ posts and leave at least two comments each week, before the start of class on Wednesday. (Note that you don’t have to post the the two comments at the same time; just make sure that week-to-week you get those entries and comments in.) This weekly requirement is meant as a minimum acceptable level of participation; I hope that you’ll all contribute more, creating an ongoing, engaging dialogue.

Some observations. The tone veers between encouragement and a kind of hectoring, with occasional instances of what feels like peremptory insistence on what the students “will” do, what “is desired” (by the teacher, presumably), and what kinds of behaviors will not be punished (skip two posts “with impunity”). I have no problems with requirements when it comes to blogging, as I’ve written elsewhere, but I do think it’s unwise to try to require commitment by specifying all the forms it must take; one gets commitment to specifications, not to values, and it’s almost certain that the fundamental desire for “an ongoing, engaging dialogue” will not be fulfilled. Instead, one is most likely to get, at best, a simulacrum of such a dialogue geared to what students believe the teacher will find engaging, not what the students themselves find engaging. There can be overlap there, of course, and I fully believe the teacher can and should lead the students into much deeper engagement than they are likely to encounter or realize on their own. But that requires detection and extension of what they’re already engaged by, and this blogging assignment doesn’t appear to be framed in that way.

To state it more simply, the item missing from the initial catalog of what students will use the blogs for is “to explore your thoughts, interests, and puzzlements in relation to this course of study.” Then the reader’s response is over-specified, and we end up with an academic assignment, not a blog. At what point is “what is desired” awakened within the learner, not simply imposed upon him or her? Such awakenings need canny nurturing and all the arts of intellectual seduction.

Even more seriously, the required reading-response post is a formal assignment whose strictures are so definite and school-familiar that I can’t imagine the completion of that required post will feel like an invitation to more informal posting afterward. That’s not to say that a formal reading-response exercise is not valuable. On the contrary. But I wouldn’t call it blogging, and I think the assignment inadvertently conveys a set of values and expectations that is antithetical to the real power of blogging within a course of study.

The professor must judge the difference between significant extension and rehash, between committed effort and lackadaisical coasting, between emergent insight and irrelevance. No question. But blogging provides a space in which that judgment can be rendered flexibly, lightly and joyfully, as an invitation to exploration and quality of commitment.

Here’s the second example. Given that there’s a list, I’ve commented item-by-item.

Blog Participation

1. Comments of 500 words or less on the class blog that are helpful to the class will be worth 10% of your grade.

I’m not much on “class blogs,” as I think blogging needs to be personal, not in the sense of divulging private information, but in the sense of emerging from and feeding back into the personhood of the learner. I’m also confused: are the students publishing blog posts of their own, or simply commenting on something already posted? The latter is particularly restrictive and typically involves a teacher’s felt obligation to supply “prompts.” Such promptings can be fine in other contexts, but in my view they make blogging into something pretty much teacher-centered, and thus something other than blogging. And why the limit on length? Comments over 500 words may be unwieldy or distracting, but this is a matter to be discussed within the class, in my view, not specified on a syllabus.
Also, I’m interested in whether the class has a mechanism for signalling what it finds helpful. Or does “class” not mean “group of learners” but “the material I the teacher am covering?” If the latter is true, then the baobabs have truly done their work.

 2. You may make as many comments per week as you like. However, you will only receive credit for up to two comments in any given week. The real goal of the blog comments is to help you internalize and think about the material on an ongoing basis. Cramming comments does not help you with that, nor does going back to comment on old subjects . I will have random cut-off dates for participation grading throughout the semester. They will not be pre-announced. Therefore, you should consider every day to be a possible cut-off date.

I understand that commenting doesn’t work if students either flood the channel with thin and thoughtless material just to get “extra credit,” or bunch their comments together after several weeks of ignoring the ongoing dialogue. I certainly agree with the “real goal” as it’s articulated above. That said, the idea of random cut-off dates brings in a note of surveillance and gotchas (every day’s a hangin’ day!) that doesn’t invite commitment so much as it inspires either a) dread or b) a desire to find another way to game the system. It’d probably be better to discuss these issues in the class meeting without trying to over-engineer an airtight system of discipline in this way. But then I’ve never agreed that a syllabus should be a contract. The commitment needed for a rewarding course of study is too big and too delicate to be specified exhaustively within a single document. If one tries to do so, the result is legalistic behavior on the part of the students, in my experience.

 3. I expect to see at least 5 well thought out comments, with links to other sources, posted over the course of the semester by each of you. Less than 5 that will result in a bad Blog Participation grade. , but sheer volume of comments will not get you a good grade either.

Five comments over the course of a semester aren’t enough, in my view, if one wants the thinking to be ongoing. Also, I understand that volume alone isn’t worthwhile, but if I had a lot to say, I’d feel inhibited by the way this requirement is phrased. There is plenty of discussion here of teacher expectations. I’d love for students to expect to see comments as well. How to awaken that expectation? That’s a core question.

Along those lines, I also miss, here and in the first example above, any thought that linking to other bloggers and commenters is valuable and encouraged. That’s a shame, as such links are part of the soul of blogging. They demonstrate a valuable way to “think like the web” and participate in the care and feeding of the noosphere. They also encourage an ampler, more imaginative view of what libraries and books are all about in relation to that noosphere.

4. You must sign each comment with your first and last name. If you prefer to use another identifier, like a screen name, you may discuss with me.

I can see a justification for this requirement, but it’s stated pretty harshly, like a specification for a term paper.

5. Spelling and grammar counts – big time.

Yes, they does. Oops. The real point, though, is that loading all these English Professor Rules onto blogging is a) likely to discourage students from unbuttoning their minds and hearts enough to let you know what they’re really thinking, and b) likely to cause embarrassment when one’s own spelling or grammar isn’t right. We all make mistakes in spelling and grammar. We should be rigorous about weeding them out of formal prose, but relaxed about them in the informal space of free-range blogging. Good spelling and proper grammar serve the writer and reader well, but they are not requirements for insight or engagement and risk strangling both in the cradle if the writer focuses on spelling and grammar first. And yes, “big time” sounds both snarky and aggressive to my ears.

6. As noted above, when grading, I will have an independent party review your blog participation and write down proposed grades. I will then read and grade your blog participation myself. If the proposed grade and my grade differ, it is my policy to give the HIGHER grade to my students, unless there is a strong legal deficiency in your participation that my independent evaluator missed. So far, that has never happened.

“Legal deficiency” and “independent party review” sound like efforts to forestall complaints and ensure “objectivity.” In my view, these efforts frame blogging as yet another battleground between teacher and student in which victory is high grades or freedom from student grumbling. I feel an arms-race mentality lurking in both teacher and student in these kinds of statements. I’m reminded of MAD. Framing blogging in this way is in my judgment entirely counterproductive. I’m not sure it works well for any assignment, but it sure won’t work for blogging.

Every time the teacher speaks or writes, the students encounter not only information but a meta-statement about the nature and purpose of the relationship between teacher and student. A syllabus loaded with lists of desired-by-the-teacher behaviors sends a powerful meta-statement that in the case of blogging robs the medium of its primary value for learning. Ditto over-engineered and over-specified assignments within a student blogging requirement. Once again, learning has been transmuted into academics. Sadly, that’s the philosopher’s stone in reverse. Or to return to my initial metaphor, it’s a growing asteroid done to pieces by the destructive, voracious root systems of School Baobabs.

For my students, I hope blogging will be that visible, share-able space that records and thus feeds their own curiosity–and that of their peers as well. Blogging should be like Steve Crocker’s “Request For Comments.” For a moment, the learner can think aloud without so much fear and without striving to be a bon élève. For a moment, we can remind each other that On ne voit bien qu’avec le cœur. L’essentiel est invisible pour les yeux. There will be time for all the rest of what we should do or believe we should do in school. Blogging is a time for something else.

A Long Goodbye: Alex Chilton

A parting post for 2011, unrelated to education or technology, except for the recording, playback, and transportation technologies that helped with my “edification by puzzlement,” to use the evocative phrase of James Fernandez…. It’s an elegy for one of my favorite musicians, but for me it also stands for many other things, as all deeply felt things do.

Reposted with a few revisions from a burst of writing I did yesterday on the Steve Hoffman forum:

You know, I was really so wracked about Alex Chilton’s death, and then Andy Hummel’s right after it, that I haven’t been able to think straight about any of it until recently. I too was (and am still) one of those Alex fans people complain about. My brother and another close friend used to kid me (ok, mock me) in the late 80’s because of my Alex/Big Star fixation, then in full flowering because I’d seen Alex eight or nine times in that decade. I didn’t have to go too far to find him. For awhile there he was gigging the mid-Atlantic area three or four times a year, it seemed. He played Charlottesville at least three or four times while I was in grad school at UVA. I saw him in Roanoke once and put my wife up to asking him about “I Am The Cosmos,” which I’d just heard courtesy of a friend at Back Alley Disc in C’ville. I figured Alex might open up a little more to a beautiful woman than to me at that point, and he did–he told her he thought it was a really great song, and told her the story of how he first met Chris back when he’d go hear him play in the Jynx back in Memphis.

So many memories of that decade, finally getting to meet and occasionally interact with someone whose music had been so important to me.

Sometimes Alex would be prickly, or would say things that made no sense to me at all. He seemed so casually dismissive of the best of his own work, and would spend so much energy on what seemed to me then like hipster piffle, songs like “Volare.” That song still seems like hipster piffle to me, I have to say. But in that same show, at the 9:30 Club in D.C., he did a breathtaking electric version of “Goodbye Pork Pie Hat.” How could someone go from the sublime to the ridiculous and back again so quickly and perversely? I was deeply puzzled and in truth torn about it all. In my mid-20’s, seeing this musical hero every few months it seemed, and trying to figure out my own artistic and professional story: I could feel broken-hearted, inspired, and deeply intrigued at every show he did. And of course mixed emotions are perfect fuel for any obsession….

Other memories: Going up to Alex the first time I saw him, at the C&O Club in C’ville, and getting him to sign his new album, “Feudalist Tarts” as well as “Radio City” (photo above).  My friend Robin McLeod, the fellow who’d introduced me to that Big Star record about ten years earlier, was standing next to me. Alex was slumped in a chair–he’d been battling the flu–but was very polite. When I praised the sound of “Radio City,” he said “Well, that’s because of John Fry; he’s the reason the record sounds so good.” When I told him how much the record had meant to me, he said, “Thanks–I want you to listen to some of the material in the second set tonight; there’s some real melodic stuff in there.” I remember Alex with his three piece (Doug Garrison, drums and Ron Easley, bass) playing “You Get What You Deserve” (also at the C&O club in C’ville)–only time I heard him play that. When he got to the bridge and the “oh, oh-oh, ohhhh” part, I was dancing madly and grinning like a fool.

Once I went up to him during a set break and asked him why he didn’t play more of his Big Star material onstage. (Before the Big Star 2.0 reunion, I heard him play “September Gurls” and “In The Street” most every gig, “When My Baby’s Beside Me” two or three times total, and “You Get What You Deserve” exactly once.) He said, “well, the music’s pretty good, but the lyrics just lay an egg for me.” I asked, “Even something like ‘O My Soul’? I love those lyrics.” He said, “Nah, Chris didn’t finish that song before he left.” I said, “Well, I guess it’s also pretty hard to play a song like that live.” (I was really fishing at that point–plus the 1974 WLIR concert hadn’t been released yet.) He looked at me and said, “It’s not the hardest song on the album.” I asked, “What is the hardest song?” He said, “Daisy Glaze–we tried to learn it in rehearsal this afternoon–heh, forget it.”

I just couldn’t help myself. I knew his power pop radar was intact. I could tell it from the way he played Lou Christie’s “I Wanna Make You Mine” and the melancholy, soulful “Nobody’s Fool,” a song written by his former producer and vocals mentor Dan Penn. But then he’d riff on something interesting but ultimately unsatisfying, like “Boogie Shoes,” and I would try to resign myself to enjoying what I could and giving up on the bigger hopes.

But other times, the hope flared up again, very intensely. I remember Alex coming up to me out of the blue at the 9:30 Club to chat; we talked about record stores and radio stations in Memphis, and I told him I had made it to the short list for a job at what was then called Memphis State University. He said “Hey, that’s cool, maybe you’ll get it and move to Memphis and I’ll see you around there.” I tried to stay calm throughout the conversation, but it was tough. I gave Alex a cassette of some Son House after one of the shows, and he said he’d never heard any Son House before. I hope he liked it. I met Anna Lee Van Cleef, his girlfriend at the time and photographer for “High Priest,” after another show, the one Chris Stamey opened for. Chris was showing folks his new Wurlitzer electric guitar (a beauty), and Alex was holding court across the room, sitting next to Anna Lee (also a beauty).

Alex smoked a lot of pot those days, or so I was told, and it wasn’t like we were going to have a real intense or focused conversation anyway, but still, every one of those short little fanboy encounters was very important to me, as well as deeply puzzling and strangely worrying.

There seemed to me to be something about the deep structure of the universe that the music of Big Star communicated, something sad and powerful and joyful and melancholy and wry all at once. To me, Alex had been a channel for this communication, and I was trying to figure out how all that happened, trying to explain something to myself I suppose. Later, as I began to discover the heart and soul that Chris Bell had given the band, as well as the crucial roles Jody and Andy had played in the whole undertaking, I began to understand how complex that channeling really was. But I never really changed my mind about what was being channeled. I don’t think I will ever change my mind about that.

The last time I saw Alex was in 1994 at the Fillmore in San Francisco, where my friend Robin was living at the time. The reformed Big Star was playing there at exactly the time my family and I were traveling back east to my new job in Virginia. Robin and I got to the Fillmore early so we could stand near the front. We heard the opening act (can’t recall the name, alas), then heard Counting Crows (playing under a false name, for reasons I can’t recall–probably contractual). Then we saw both bands helping to set up the equipment for Big Star. I thought at the time that this was their way of paying tribute to the band. It was a moving sight. Then Big Star came out. It was an amazing set, start to finish, and I was in truth more than a little shaken up to hear all those songs that had shaped my life, songs I never imagined I would hear live. But the moment that sticks in my mind the most is the moment the band came out on stage. For a second or two I made eye contact with Alex, and I thought perhaps he recognized me when he nodded slightly. Robin saw it too, and thought the same thing. I can hope it’s true.

The recent box set got way under my skin, absolutely. The photos are truly magnificent. The bookended photos of Chris and Alex on the CD portfolio are especially poignant.

Three days ago, Alex would have been 61 years old. Almost two years later, I’m still saying goodbye.

How strange, or maybe not: writing the above sent me back to Bruce Eaton’s blog, which I had not visited since just after Alex’s death, and where I found a ton of great stuff, including fantastic interview material from Andy that didn’t make it into the book, as well as a post with a link to a completely fantastic tribute to Alex.

Feeling a little less alone, now, after reading these words by Barbara Mitchell:

There are tortured artists and then there are conflicted ones. Alex was definitely the latter. He lived off of – and simultaneously tried to destroy – his own legacy. The guy was a monumental talent and an honor to work with. He was also perverse, arrogant and a provocateur extraordinaire. And sometimes an utter sweetheart. A Sphinx without a riddle, as former Chills guitarist Steven Schayer described him. [emphasis Mitchell]

I wish I could have known him a little better, even if I couldn’t ever get the riddle straight, much less the answer. Funny how we all think we’re looking for answers. Maybe it’s really the riddle that’s hard to find, or even accept. Maybe during my 1980’s search for Alex Chilton, the riddle I was looking for was my own.

December boys got it bad.

Happy New Year.

Request for Comments

Preface: I don’t know why it’s taken me so long to get this post published. I won’t bore you with my ruminations and remorse … instead, on with the show.

I still do analog. Case in point: A Brief History of the Future: From Radio Days to Internet Years in a Lifetime, a monograph by John Naughton, distributed on inked wood-pulp, and purchased by me in person at a used bookstore in Philadelphia off South Street about a month ago.

It’s a fine book. Naughton has a tremendous storytelling flair, but his greatest genius is for identifying and communicating the human depths and excellences that might be overlooked by a less gold-hearted storyteller. There are many, many nuggets here that invite careful rereading and contemplation, far too many for one blog post. I suspect I’ll eventually write about several.

For now, though, I want to share the story Naughton tells of Steve Crocker, one of the original members of ARPANET’s “Network Working Group.” This is the group Vint Cerf worked with as he helped to bring TCP/IP into being. I knew something of Cerf’s story. I recognized the names of Jeff Rulifson and Bill Duvall from SRI (part of Doug Engelbart’s group). I dimly recalled reading something about Steve Crocker. But what I didn’t know was the pivotal role Crocker played in building the platform for collective intelligence within the early ARPANET itself. He did this with a very special kind of protocol, the kind more closely linked with diplomacy than with networked computers “shaking hands.”

He did it by inventing a new genre of professional writing: the Request for Comments (RFC).

As Naughton tells the story, the young graduate students who were at the center of the Network Working Group found themselves with the future of the Internet in their hands. The big corporate brains knew about the machines that made up the network, but they didn’t know much about the network itself–it was too new, and it was an emergent phenomenon, not a thing they had built. The grad students in the NWG felt they were at great risk of offending the honchos, of overstepping their bounds as “vulnerable, insecure apprentices,” to use Naughton’s words. Crocker was especially worried they “would offend whomever the official protocol designers were….” But the work had to go forward. So Crocker invented the “Request for Comments,” what he called “humble words for our notes” that would document the discussions that would build the network.

Here’s how Crocker himself put it in this excerpt from RFC-3, “Documentation Conventions”:

Documentation of the NWG’s effort is through notes such as this. Notes may be produced at any site by anybody and included in this series…. [Content] may be any thought, suggestion, etc. related to the HOST software or other aspect of the network. Notes are encouraged to be timely rather than polished. Philosophical positions without examples or other specifics, specific suggestions or implementation techniques without introductory or background explication, and explicit questions without any attempted answers are all acceptable. The minimum length for a NWG note is one sentence.

These standards (or lack of them) are stated explicitly for two reasons. First, there is a tendency to view a written statement as ipso facto authoritative, and we hope to promote the exchange and discussion of considerably less than authoritative ideas. Second, there is a natural hesitancy to publish something unpolished, and we hope to ease this inhibition.

You can see the similarity to blogging right away. At least two primary Network Working Groups are involved: that of all the other people in the world (let’s call that civilization), and that of the network that constitutes one’s own cognition and the resulting “strange loop,” to use Douglas Hofstadter’s language. We are all of us in this macrocosm and this microcosm. Most of us will have multiple networks within these mirroring extremes, but the same principles will of course apply there as well. What is the ethos of the Network Working Group we call civilization? And for those of us engaged in the specific cognitive interventions we call education, what is the ethos of the Network Working Group we help out students to build and grow within themselves as learners? We discussed Ivan Illich in the Virginia Tech New Media Faculty-Staff Development Seminar today, and I was forcibly reminded that the NWG within sets the boundaries (and hopes) we have with which to craft our NWG without. School conditions what we expect in and from civilization.

I hope it’s also clear that these RFC-3 documentation conventions  specify a praxis of intellectual discourse–indeed, I’d even say scholarly communication–that is sadly absent from most academic work today.

Would such communciation be rigorous? Academic? Worthy of tenure and promotion? What did these RFCs accomplish, and how do they figure in the human record?  Naughton observes that this “Request for Comments” idea–and the title itself, now with many numerals following–has persisted as “the way the Internet discusses technical issues.” Naughton goes on to write that “it wasn’t just the title that endured … but the intelligent, friendly, co-operative, consensual attitude implied by it. With his modest, placatory style, Steve Crocker set the tone for the way the Net developed.” Naughton then quotes Katie Hafner’s and Matthew Lyon’s judgment that “the language of the RFC … was warm and welcoming. The idea was to promote cooperation, not ego.”

Naughton concludes,

The RFC archives contain an extraordinary record of thought in action, a riveting chronicle of the application of high intelligence to hard problems….

Why would we not want to produce such a record within the academy and share it with the public? Or are we content with the ordinary, forgotten, and non-riveting so long as the business model holds up?

Or have we been schooled so thoroughly that the very ambition makes no sense?

More Naughton:

The fundamental ethos of the Net was laid down in the deliberations of the Network Working Group. It was an ethos which assumed that nothing was secret, that problems existed to be solved collaboratively, that solutions emerged iteratively, and that everything which was produced should be in the public domain.

I think of the many faculty and department meetings I have been to. Some of them I have myself convened. The ethos of those Network Working Groups has varied considerably. I am disappointed to say that none of them has lived up to the fundamental ethos Naughton identifies above. I yearn for documentation conventions that will produce an extraordinary record of thought in action, with the production shared by all who work within a community of learning. And I wonder if I’m capable of Crocker’s humility or wisdom, and answerable to his invitation. I want to be.

Mythic consciousness, the syncopation way

Brain Rules is a fascinating and vastly entertaining precis of what neuroscience has so far revealed about the unique characteristics of this organ of organs, the brain,

the fleshy fatty bit that definitively marks our species. In this book, John Medina identifies three primary human brain capacities, in ascending order of distinctiveness:

  1. a database of stored information
  2. the ability to improvise off that database–i.e., to use stored information in novel combinations depending on circumstances
  3. the ability to use symbols to reason and communicate

Medina draws a conceptual line between numbers 2 and 3 above, and asserts that “a growing ability to think symbolically about our world” distinguishes our brains from all the other primates’. Indeed, building on the work of Judy DeLoache, Medina presses the point even farther:

Our brain can behold a symbolic object as real all by itself and yet, simultaneously, also representing something else. Maybe somethings else. DeLoache calls it Dual Representational Theory. Stated formally, it describes our ability to attribute characteristics and meanings to things that don’t actually possess them. Stated informally, we can make things up that aren’t there. We are human because we fantasize.

And then comes the climax:

There is an unbroken intellectual line between symbolic reasoning and the ability to create culture. And no other creature is capable of doing it.

(For more stimulation, see DeLoache’s 2004 literature review essay “Becoming Symbol-Minded,” published in Trends in Cognitive Science and available, oh bless the Web, as a pdf download here.)

And what does this have to do with Ted Nelson? And what does this have to do with Marshall McLuhan?

It’s no surprise that Nelson’s Computer Lib / Dream Machines (New Freedoms through Computer Screens–A Minority Report) is everywhere imbued with the spirit of McLuhan. Both men are striving to understand and knit together a creative brokenness leading to a larger, more complex and complexly satisfying, representation of the staggering scale of meaningful interconnectedness in human experience. I suppose they both consider this goal as a good in and of itself. In this quest, they are Romantic, of course, which I mean as high praise (in this case especially). They want what that late Romantic Walter Pater wanted: to see the world clearly and to see it whole. An even later Romantic (to speak fancifully) named Albert Einstein put it this way: “A knowledge of the existence of something we cannot penetrate, of the manifestations of the profoundest reason and the most radiant beauty, which are only accessible to our reason in their most elementary forms—it is this knowledge and this emotion that constitute the truly religious attitude….”

It seems to me that Nelson’s notion of “fantics,” built on his early intuitions about hypertext (intuitions that later led to the much-maligned “Xanadu” project), are in large part his effort to imagine and encourage less elementary forms that our reason, linked with affect (to distinguish for a moment what cannot be divided), might use to apprehend those “manifestations of the profoundest reason and the most radiant beauty.” Nelson writes:

I derive “fantics” from the Greek words ‘phaninein’ (show) and its derivative “phantastein” (present to the eye or mind). You will of course recognize its cousins fantastic, fantasy, phantom…. And a fantast is a dreamer. The word “fantics” would thus include the showing of anything (and thus writing and theater)…. The term is also intended to cover the tactics of conveying ideas and impressions, especially with showmanship and presentational techniques, organizing constructs, and fundamental structures underlying presentational systems. Thus Engelbart’s data hierarchy, SKETCHPAD’s Constraints, and PLATO’s fantic spaces are fantic constructions that need to be understood if we are to understand these systems and their potential usages…. Designing screen systems that focus the user’s thoughts on his work, with helpful visualizations and no distractions, is the great task of fantic design….

And in a burst of his characteristically endearing, inspiring  frantic-fantic thinking, Nelson shouts *THINKERTOYS*  and writes,

Our greatest problems involve thinking and the visualization of complexity. By “Thinkertoy” I mean, first of all, a system to help people think. (“Toy” means it should be easy and fun to use.) This is the same general idea for which Engelbart, for instance, uses the term “augmentation of intellect.” But a Thinkertoy is something quite specific. I define it as a computer display system that helps you envision complex alternatives. The process of envisioning complex alternatives is by no means the only important form of human thought; but it is essential to making decisions, designing, planning, writing, weighing alternate theories, considering alternate forms of legislation, doing scholarly research, and so on. It is also complicated enough that, in  solving it, we may solve simpler problems as well. We will stress here some of the uses of these systems for handling text, partly because I think these are rather interesting, and partly because the complexity and subtlety of this problem has got to be better understood: the written word is nothing less than the tracks left by the mind, and so we are really talking about screen systems for handling ideas, in all their complexity…. If a system for thinking doesn’t make thinking simpler–allowing you to see farther and more deeply–it is useless, to use only the polite term.

Whew.

So Thinkertoys within a fantic environment (or built within, or made of, such an environment) should allow us to see further and more deeply by generating more useful representations of complex alternatives, thus allowing us to think and communicate more complexly. I understand there’s a feedback loop here, perhaps even some circular reasoning, but bear with me for a little longer.

For now here comes McLuhan. Earlier in his book, Nelson lobs this hefty thought-grenade into the fantic thinkertoys he’s making:

3 Big and Small Approaches

What few people realize is that big pictures can be conveyed in more powerful ways than they know. The reason they don’t know it is that they see the content in the media, and not how the content is being gotten across to them–that in fact they have been given very big pictures indeed, but don’t know it. (I take this point to be the Nickel-Iron Core of McLuhanism.)

Cue McLuhan’s “serious artist” who can perceive changes in the proportional inputs of our various senses as they are extended through the media we create. Yet perhaps the Core of McLuhanism lies even deeper. In The Gutenberg Galaxy, McLuhan writes,

For myth is the mode of simultaneous awareness of a complex group of causes and effects. In an age of fragmented, lineal awareness, such as produced and was in turn greatly exaggerated by Gutenberg technology, mythological vision remains quite opaque. The Romantic poets fell far short of Blake’s mythical or simultaneous vision. They were faithful to Newton’s single vision and perfected the picturesque outer landscape as a means of isolating single states of the inner life.

But of course to isolate a single state of the inner life is to get even that single state wrong, as if one could have a flock of bird.

Thankfully the grotesque, expressing itself within the medium of time as syncopation, gives McLuhan hope. Following James Joyce and John Ruskin, McLuhan defines the grotesque

as a mode of broken or syncopated manipulation that permits inclusive  or simultaneous perception of a total and diversified field.  Such indeed is symbolism by definition–a collocation, a parataxis of components representing insight by carefully established ratios, but without a point of view or lineal connection or sequential order…. [Joyce] breaks open the closed system of newspaper somnambulism. Symbolism is a kind of witty jazz, a consummation of Ruskin’s aspirations for the grotesque that would have shocked him a good deal. But it proved to be the only way out of  “single vision and Newton’s sleep.”

McLuhan notes that a “Gothic taste,” which might fairly characterize Ruskin, Joyce, McLuhan, and Nelson, at least, is a “pre-Raphael or pre-Gutenberg quest for a unified mode of perception.” He also notes that such a taste typically strikes “serious people” as “trite and ridiculous,” much the way video games, cosplay, Larping, Lolcats, even the Internet itself strike many adults today. Much the way rock-and-roll struck the adults who raised the baby boomers.

But perhaps, just perhaps, a teenage symphony to God, or a red wheelbarrow glazed with rainwater beside the white chickens, or images of spacetime as a loaf of bread, or blogging, or Twitter, for example, trite and ridiculous as they may seem to certain kinds of serious people, at least at first, can serve as syncopated springboards into complex, mythic consciousness or some approximation thereof. I think that’s the ambition that links Nelson to McLuhan, and the ambition that “deeply intertwingles” poets, physicists, biologists, urban planners, dancers, geoscientists, anthropologists, ethicists, and students of all ages and levels of expertise.

That’s my grotesque story, and I’m sticking to it.